As Richard E Grant, the narrator, hinted at the end of this first part - when he trailed tonight's second part as taking up the story in 1974, the year of The Exorcist, A Clockwork Orange and Straw Dogs - the world of the censor begins to look somewhat more complex the closer it gets to your own time and sensibilities. What appears now to be little more than silly snobbery delivered in cut-glass Pathe news accents was, in the Fifties and Sixties, in a different moral climate, defining that moral climate as it went along. The point about censorship is that it always looks ridiculous in retrospect. We should be careful, as the programme admirably pointed out, however, not to laugh too loud at the censors making Lesley Caron put Elastoplast on her nipples during Room at the Top or Trevelyan, in a nice piece of double-edged syntax, telling Donald Cammell, apropos of the sex scene in Performance, that "you can cut that out". The film began with Roman Polanski - a man whose face would blend easily into the back row of a Soho cinema club - suggesting what we have all long suspected: "Censors always looked kinky to me, I always imagined them gathering the bits they had cut from films and running them together for their own pleasure at home." These censors, they certainly have a bit of front, telling us what we can or can't watch but only after they have watched it themselves. And several of those were covered in Elastoplast. Worse, the nipple count barely reached double figures. Empire of the Censors (BBC2, Sunday), a history of British film snippery, was as thorough, serious and thought- provoking a piece of documentary-making as you could wish to find.
#Yelp snippery mac
Sadly for those of us sitting on the edge of our expectation in a darkened room wearing the dirty mac only just returned to the wardrobe after Channel 4's Red Light Zone, the opening spurt of the weekend turned out be a sore disappointment. And, true to form, BBC2 served up Forbidden Weekend promising 48 hours of rudery, Sellotaped together from the cutting-room floor.
From other side, you can find in Snippery a way to sketch HTML ideas and check how they look in real time.This is television schedulers new maxim: if it's a bank holiday, it must be theme night. From one side, this is the best way to preserve the content of a webpage that you are interested in. Preview every downloaded webpage, and even edit and see on the fly all the changes applied. This way a same template can expose several key texts when you're ready to use them. You can think about that like some kind of variables inserted in the template and whose values you'll assign at a later time. Use all the power of this feature to create dynamic templates that can be expanded later typing just a few characters! The Text Expander entries can contain placeholders that you can substitute with the real content during the expansion process. The best of all is that you can create your own automated shell scripts from Snippery.
#Yelp snippery password
From executing remote commands over an SSH session (with password pause detection), and save the resulting output, to type all those arcane commands to list directories or to execute and combine more complex scripts.
#Yelp snippery windows
From the security point of view, Snippery users can activate the encryption of the data, and create as many backups as desired.įor all those Geeks, Shell lovers out there: there is a really powerful mode inside Snippery that brings all the shell windows you may need to unleash your mojo. These snippet creation modes are powered with a wide set of text edition operations, RegEx support, and some automatizations, as for example the definition and use of text templates with on-the-fly placeholders substitution. Snippery allows any user to securely save and categorize all their snippets of text, from a few lines to very big text fragments: written from scratch, imported from HD, downloaded as HTML from the specified URL, or with the output obtained from any Shell session done in Snippery's Terminal Mode.
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